Tip the Script; thrown dye on paper, 22 by 30 inches.Earth Force; thrown dye on paper, 22 by 30 inches.Together We Go; thrown dye on paper, 22 by 30 inches.
Color is represented as analogy and its own conversation, while space and form suggest with subliminal intent, asking us; as people of earth, how do we stop hurting each other and move forward together, to allow for our continued existence on this shared planet.
Multimedia; 2013-2024.
‘Match Won’t Burn’; Text reads ‘HOW CAN YOU HOW’, burned paper, matches, fabric and glass in handmade wood frame, 16 x 20 inches, 2013.‘Evil in Plein Sight’; acrylic body impression & thrown dye on paper, 12 by 18 inches.‘Now Playing’; acrylic body impression & thrown dye on paper, 12 by 18 inches.‘TwoFace’; acrylic body impression & thrown dye on paper, 12 by 18 inches.‘Denim & Blues’; acrylic body impression & thrown dye on paper, 12 by 18 inches.‘Don’t Walk Behind Me’; acrylic body impressions & thrown dye. Custom tshirt reading ‘Earth protectors, Like trees; 2024.’
Dimensional Sculptures
‘Storybook Lamp’; book pages, led bulb, antique lamp, 2013.‘Lil Gardener’; airplants, broken Hummel, magnets, 2013.‘Chicken Shit’; glitter and clay cheerios, library card, Big Bird spoon, 2013.‘Chicken Shit’; glitter and clay cheerios, library card, Big Bird spoon, 2013.‘Harmony House’, featuring pages from ‘Barnyard Dance’ by Sandra Boyton, 2017.‘The Game of Life is Bonkers’, toy soldiers and dice on used scribbled board game, acrylic ‘blood’, 2017.‘The Game of Life is Bonkers’, toy soldiers and dice on used scribbled board game, acrylic ‘blood’, 2017.Loveboat, beach found objects layered, 2014.‘Succubus’; clay, 2013.‘Defaced’; clay, fabric, acrylic & glue, 2013.‘Man in the Rubble’; ancient beach stones and clay, 2014.‘Man in the Rubble’; ancient beach stones and clay, 2014.‘Man in the Rubble’; ancient beach stones and clay, 2014.
Thrown dye on paper
“When I surf the wave, my instincts can turn the storm around me to magic, evidenced by the direct reflections of my thoughts and feelings in what I see taking shape on the ground covered in paper, at which I fling colors out of old drink cups, mixed from only primary dye colors. After days of drying flat, the results line the walls of my room, rearranging themselves into an ever evolving story that reflects the world and its impact on my life.”
Elephant; thrown dye on paper, 24 by 18 inches, 2016.Mores Explosion; thrown dye on paper, 24 by 18 inches, 2017.Battle Cry; thrown dye on paper, 12 by 18 inches, 2013.Earth Protectors Like Trees; thrown dye on paper, 18 by 24 inches, 2017.Headcheck; thrown dye and bleach on paper, 26 by 50 inches, 2013.Lil Soldier; thrown dye on paper, 9 by 12 by 30 inches, 2016.The goldfish & the clown; thrown dye on paper, 24 by 18 inches, 2017.Lead; thrown dye on paper, 24 by 18 inches, 2017.
Impact; thrown dye on paper, 24 by 18 inches, 2016.
Oil studies on canvas
Light Saber Madonna; oil on canvas, 20 by 16 inches, 2018.Ice Box; oil on canvas, 20 by 16 inches, 2018.Inside the Unknown; oil on canvas, 20 by 16 inches, 2018.Protective Spell; oil on canvas, 16 by 20 inches, 2018.The Heart of the Wave; oil on canvas, 16 by 20 inches, 2018.Mole Mountain; oil on canvas, 20 by 16 inches, 2018.
The further away
the smaller and closer together
till eventually…
tiny dots on the horizon
then disappear altogether.
Vanishing Point – A Muck, 2013.
Erasers; erased graphite on hand dyed paper, 2013-2014.
Studies in Graphite on Paper, 2013/2017;
‘rays of light through a window; top to top bottom to bottom pooled on the floor’ – A Muck, 2013
Digital & Iphone Photos, 2013-2018.
‘Stimulus Satiation’, poem by A Muck, 2013.
Wynwood; digital photos through film lenses, 2007-2013.
native garden flowers
Natives Bloom; hand gardened flowers scanned, metal print, 2022.Faces in the Sun; hand gardened flowers scanned, metal print, 2022.All Born of Earth; hand gardened flowers scanned, metal print, 2022.
